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and was created in 1897. - What significance this may have to Adolf
was that he probably experienced a tragedy because of a storm.
- For example, people from hurricane Katrina will never forgot the disaster that happened
when their whole life changes because of nature’s raw power.
- People that experienced that storm had their lives changed forever.
- If Adolf experienced this same tragedy that is probably the story he is trying to tell
in this painting. - What makes me think this is because this
painting is about the power of nature and how it can impact human life significantly.
- The emotions I receive from this artwork are a lot of sadness and devastation. It
1619 words - 7 pages
The Fuchun Painting
-----Dwelling in the Fuchun Mountains----
by Shengjie Huang and edited by H. J. West
Preface: 660 years ago a painting was created that that was admired in its own time has survived several centuries, conflict, and foibles, and is admired and valued yet in modern times. The painting’s survival is a miracle in its own rite as well as its beauty carried into this century. This painting could even serve to foster friendship between countries.
There was a famous painter in China during the Yuan Dynasty, called Huang Gongwang. He lived in the
1995 words - 8 pages
The painting of scenes with narrative content from classical history, Christian history, and mythology, as well as depicting the historical events of the near past. These include paintings with religious, mythological, historical, literary, or allegorical subjects--they embodied some interpretation of life or conveyed a moral or intellectual message. The historical events chosen would be iconographic, not only depicting important events, but ones of particular significance to the painter's society, as for instance, the signing of the declaration of independence in American history painting. The event, if suitable, does not need to have actually occurred, and artists
857 words - 4 pages
Raphael’s Process for Painting
August 6, 2014
Raphael’s Process for Painting
Italian painter Raffaello Sanzio (1483-1520), or "Raphael", was a painter that lived during the High Renaissance period and was greatly influenced by Leonardo da Vinci and Michelangelo. Leonardo da Vinci, Michelangelo, and Raphael are considered one of the three great painters of their time. Although you may know Raphael by the beautiful paintings he produced, he particularly gave great importance to his drawings. It did not matter to Raphael whether it was for preparing the work for future canvases or other works of art. Raphael is famous for the perfect elegance and three-dimensional space in
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ICT Section 14 Dr.Quantrille William Kulesa Mannerist Painting Versus Baroque Painting Styles As a mannerist style painting Michelangelo Buonarroti's The Last Judgment is a perfect example. It was completed recently after the sack of Rome and reflects the mindset of that time perfectly. This is reinforced by the fact that it is done after but in the same vicinity as Michelangelo's previous works of the Renaissance. Caravaggio's The Supper at Emmaus on the other hand reflects Baroque style perfectly. It is clear to anyone viewing the piece the pure flamboyance of their actions as well as the illusionistic effects using shadows and perspective. The Last Judgment takes the
4312 words - 18 pages
Painting with Blue and red Barnett Newman, Voice of Fire, 1967 Owned by the national gallery of Canada, museums try to get these different collections. Very close to Canada culture, shown at the expo 67 in Montréal, the world’s fair. When the work came up for by the widow by the artist, the museum thought, it was a great idea, and offered a much lower price than what she could get at auction. But the how this work defies our expectations in art. One of those are is representation. Art should represent something, it seems to reject and deny it. If the red and blue and been jumbled up it would look like fruit sitting on the table it would look closer to art sitting on the table. But Newman
1784 words - 8 pages
Personal Interest: What Appeals to me
What attracted me to this painting by mere looking at it was actually its size and what I thought it represents. By size I mean the visual size of the four outstanding images in the painting. The force of attraction with which the images are featured in the painting seem to draw my feet and eyes closer for a more critical view and my hands for a reach to feel its surface. The size of the frame is pretty large and towering if one faces it. Images in the painting include a beautiful, young lightly made up lady gracefully leaning by a majestic, strong looking, white saddled stallion as if for support. These two figures were standing under a four
1096 words - 5 pages
The difference between Eastern and Western painting
At the beginning
One day, I read an article in Internet. The guy insists that eastern pictures have more complicated subject and sharp expression than western pictures; however, people evaluate the eastern picture with the western standard so that eastern pictures are low-evaluated. At the moment, I find myself to know nothing about eastern painting, even though I am one of the eastern people. I have learned lots of famous western pictures since middle and high school; on the contrary, no one explained the difference point of view between eastern and western painting. I have little information about eastern picture. Thus, I
667 words - 3 pages
“Modern western landscape painting is directly related to modern individualism”
“Modern western landscape painting” is fascinating and often very lifelike. The viewer of “modern western landscape paintings” often has the opportunity to interpret the painting individually. There are no requirements how to do it. It is exactly the same with the “modern individualism”. Each person is different than the other. Thus I totally agree with the main statement. I think there is a relation between “modern western landscaping” and “modern individualism”. This can be explained based on the paintings “The Wanderer Above The Sea Of Fog” from Caspar David Friedrich and “Yosemite Valley At Sunset” from
596 words - 3 pages
The Union of the Soul with God
The painting by William Blake that I chose is the Union of the Soul with God.
The first thing that I immediately noticed is that the “union of the soul” is between a man and a woman. Blake seems so obsessed over the Adam and Eve theory and incorporates it in much of his work. Here, we see an older, stronger man, who is clearly supposed to represent God. He is seen embracing a young woman, holding her close to him. My next observation is that it appears that they are in a cave, or somewhere that is relatively isolated. I feel that this was done to make it a more peaceful scene. No one else can be seen, no signs of other nature, no other signs of life
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therefore were an important part of their everyday life. However, signboards were part of a commercial culture, not of a high culture. The painters of such signboards were not seen as high-valued artist; nevertheless, favourable public reception surrounding a sign could be evoked as an indication of the imminent inception of a successful career. This shows that the lowest, most despised kind of painting could, and did, serve as an entrée into the world of high art.
Watteau’s last painting, the Enseigne de Gersaint, a gift to his friend, the picture dealer Edame Gersaint, was a signboard. It has to be acknowledged, that Watteau’s signboard however, is of a somewhat different nature. The
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Oscar Wilde is famous for his claim “All art is quite useless”. Do you agree with him? Why or why not?
“All art is quite useless” is a line from Oscar Wilde’s <The Picture of Dorian Gray >. When Wilde wrote this book at that time, it was when people were obsessed with practicality, with everything needing to have a purpose beyond itself. He suggested that art doesn’t need any purpose; it doesn’t have any further use. It exists simply to exist. In some way, art is useless because it doesn’t really serve any practical use. But just from these reasons it is hard for me to decide whether art is useless.
I thought deeper and began to understand why Wilde quoted that “All art is quite
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All his life Michelangelo professed to think of himself as a sculptor rather than a painter. In fact he was not a painter in the sense of such great artist as the Dutch and Flemish painters of the seventeenth century. Michelangelo used to say that sculpture was the lantern of panting, and the difference was like the sun and moon. Michelangelo believed sculpture required more judgment and precision, it was harder work. Even in his old age he disliked the manual arts and a distaste for painting. He signed all of his work Michelangelo the sculptor.Yet, of all Michelangelo's more ambitious projects only those in painting were completed by his own hand, while his many sculptural designs ether
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Cezanne’s Still Life with Plaster Cast is not a traditional representation of a still life painting,
but this wouldn’t be expected of the avant-garde art of the modern period. The angles are
distorted and warped; making it difficult to establish from what position the spectator is
viewing the objects within the picture space. An example of this is in the twisting of the
plaster cast figure. The statues right shoulder and right foot are pointing towards the
viewer, his pelvis and torso facing the extreme left, and his left shoulder and foot twisting
towards to back of the room. This shows that when painting, Cezanne undoubtedly shifted
his positions to get better viewpoints on
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Assessment 1B: Middle Childhood
The development of a child from birth to 6 years is full of many activities. From birth, Levent lived a normal child life whereby he learned most of things from his parents. He had a generalized tension and lived a helpless life. As the age of 6 years get close Levent becomes more responsible and social with other children. From 6 years Levent attained the school age and many changes took place related to the new environment and development of new friends. Between the ages of 6 and7 years, cognitive changes takes place in life of a child due to the development of various social skills (Bee &
984 words - 4 pages
Museum of Art, Ft. Lauderdale
Arbol Grande, Guajiro Yo
Oil on canvas
180 x 200 cm/ 71 x 79 in
Collection of the Artist
The painting “Arbol Grande, Guajiro Yo” has a tree painted in the middle. The tree has
many colorful leaves. There is a man sitting beneath the tree, who is smoking a cigar.
Apparently, because of the smoking his doing, he is surrounded by a cloud of smoke. The man is
wearing a hat and has a mustache on his face. Also, there are flowers on the bottom of the
painting, this is the ground of the picture.
The painting has many colors; for example, the leaves of the tree are green, yellow,
orange, blue, and red, with
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Look carefully at Plate 1.3.24, Cezanne’s Jug and Fruit (1885-87), and Plate 1.3.30, Zurbaran’s Still Life with Lemons, Oranges and a Rose (1633). In no more than 500 words, outline what you think are the main differences between them.
In both paintings, Cezanne and Zurbaran have used the medium of oil on canvas, to depict a still life image of fruit on a table; however, the paintings are very different from each other. Some of the reasons for this are that they have used different colour palettes, with Cezanne’s painting being lighter and subdued in colour, compared with Zurbaran’s painting, which is mostly black. Different techniques have been used; in Cezanne’s painting you
688 words - 3 pages
The oil painting “Odysseus and Circe” by Salomon de Bray (approx. 1650) is supposed to indicate that an epic journey is underway. Even though this painting does not show an epic journey underway, it does show Circe’s island from Homer’s “The Odyssey.” De Bray based his painting directly on Homer's Odyssey. Circe is a sorceress whom Odysseus encountered on his wanderings. The Greek hero and his companions came to Circe's island on their journey home after the Trojan War. Although I know the journey, I would not know this painting represents it. Yes, I believe if I had not read “The Odyssey” I would have never known that this painting is set on an island. I would not have known that the Greek
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trying to show.
The second artwork (#2) presented in the assignment has a very bold impression. The techniques used in this artwork generally all work together to give off a very strong artwork. And the visual elements that are most significant to this artwork, is color, style, line, composition, medium and space.
First, color is the most striking part of the artwork. The majority of the painting is covered with bold, complementary colors of red and green. There is also a bulk of yellow to intensify certain shapes and black is also used to create outlines. Variety of different shades of brown and two different shades of blue are also present throughout the painting. Although cool colors
840 words - 4 pages
A Friday Afternoon with the Island of La Grande Jatte
In a recent visit to the Art Institute of Chicago I made it a special effort to view the painting, A Sunday Afternoon on the Island of La Grande Jatte. This specific painting is located at the Helen Birch Bartlett Memorial Collection, gallery 240. It is a Georges Seurat masterpiece and was created on an oil canvas. The painting illustrates a crowded park, on a hot summer day. There are people looking out into the water, while others lie in the shade of the trees in the green grass, enjoying each other’s company. Several people are holding umbrellas to keep cool from the hot rays of the sun, due to what seems to be a blistering hot
894 words - 4 pages
February 29th 2012
Botticelli’s Primavera is an interesting piece of art. Like many works of art from the Renaissance, it has many scholars still arguing about what the painter was thinking when he painted this, in order to give some meaning to the figures and objects of the painting. The excerpts that were given to us helped to explain the painting from the perspective of two different scholars, who used various sources to help decipher the painting. Both were very interesting interpretations, however I found Zollner’s argument, as opposed to Zirpolo’s, to be
1936 words - 8 pages
Gustave Courbet was quite simply one of the most influential artists of the 19th century. He had no interest in history painting, portraiture of heads of state, or exotic subject matter, for he believed that the artist should be realistic and paint everyday events involving ordinary people. He was a French artist who has been regarded as the father of the Realist movement.Courbet, (Jean Desire) Gustave (1819-1877), influential and prolific French painter, who with his compatriots Honoré Daumier and Jean François Millet, founded the mid-19th-century art movement called realism.Courbet, was born June 10, 1819, in Ornans. He came from a well-to-do family of large-scale farmers in
1706 words - 7 pages
Primavera (Allegory of Spring)
Background of Sandro Botticelli (1445-1510) and his artwork
Alessandro de Mariano di Vanni Filipepi, also is known as Sandro Botticelli. He was born in 1445, Florence, Italy and he was one of the Italian painters during Early Renaissance. In 1460, he learned painting from the Renaissance painter, namely as Fra Filippo Lippi. Botticelli was a talented painter and he was able to open a workshop at the age of 15. “Birth of Venus” and “Primavera,” both of that were his earliest artwork. The “Birth of Venus,” is the first mythological painting created by Botticelli and it has display as the Goddess Venus that explains her birth. Moreover
723 words - 3 pages
Visual Analysis of a Work of Art
Art 1112 01
19 February 2014
Assumption of the Virgin by Titian
I saw this painting in my church when I was at home over the summer. We had a guest speaker and he likes to incorporate art into his sermons, and I felt this painting really spoke to me as soon as I saw it.
In this painting by Titian, one’s attention is instantly drawn to the figure of Mary. Mary is the central figure in this painting and everything else is centered around her. The cluster of people to the left and right of Mary are the angels, cherubs, and saints who are praising Mary and exalting her. Exaggeration was a big part of the baroque style and is shown throughout this
831 words - 4 pages
AIU Online: HUMA205
This is an essay that will analyze two important works of ancient art. They will be analyzed in terms of their form, subject matter and content. It will explain how these two art works fit into the time period they were made. Using the terminology and concepts of evaluating art, this paper will compare the two pieces of art in consideration with their style, symbolism and meaning of them.
The first work of ancient art chosen for this assignment is The House with the Cracked Walls by Paul Cézanne (1839–1906). It was painted between the years of 1892 and 1894 with oil on a canvas. It is a painting of a house scenario surrounded by trees
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David does a great job at directing the viewer’s eyes where he wants. Upon first looking at Gerard David’s lamentation (or as stated in the syllabus his deposition) the viewers eyes are directed towards St. John then to Christ himself. The main emphasis of the painting is the lamentation of Christ. The lamentation is emphasized by placing the characters in the fore ground in the center of the painting. The composition of the painting allows the viewer to see the whole painting while focusing on Christ’s lamentation. David made the painting so the viewer will see the background and the foreground as one then drawing the viewer’s attention to the foreground where St. John, Mary and Christ
988 words - 4 pages
I chose a painting called In Deep Thought by Alfred Stevens, which can be found at the St. Louis Art Museum in Gallery 217. Stevens painted in it 1881 and it is oil on canvas. It is 18 3/4 x 23 1/4 in. I learned he was known for painting scenes of modern life during his lifetime. The painting shows a woman in a pink dress sitting at a table with her puppy at her feet, near the shore of a port in La Havre, France.
In this painting a young woman in a pink dress is gazing out at the sea, sitting at a glass table where her matching hat is resting. The woman’s pink dress is long-sleeved and ruffled at the bottom. Her hat has pink flowers and a black ribbon. It is sitting on the very edge of the
1091 words - 5 pages
The Office Art Memo
The Office Art Memo “Memorandum”
Professor Alan Rodgers
Having to consider the choices both impressionist and post-impressionist, I have come to a decision. Three works from the impressionist period and three works from the post-impressionist period would be the best choice to make. I will deal with impressionist works in the paper first by identifying the impressionist and post-impressionist works. Then I will describe the choices of the painting to present to the CEO of my company with examples for my decision. While including examples why my choices fit the company’s image, I will a give a
929 words - 4 pages
As I stared at the painting "Palazzo da Mula, Venice" by Monet, the images were extremely blurry to me and the picture was somewhat indistinguishable. I really wasn't even sure what it was I was looking at. All of the images seemed to blend into each other making the picture seem almost as if the artist merely took his brush and stroked it across the canvas in a series of several colors and directions, almost as if he was not really sure what he was expecting out of the painting making it somewhat of an abstract piece of work as opposed to the impressionistic style he achieved with his finished product. There were really no defining points within the painting that caused it to stick out as
915 words - 4 pages
The Emperor Napoleon in His Study at the Tuileries, 1812
Samuel H. Kress Collection
Here we have The Emperor Napoleon in His Study at the Tuileries as I look at the painting we can notice there are many detail that are in this painting. We can see all of the wrinkles in the pants down to the feature in his face. The contrast is very nicely done this painting is a very formal painting and the colors that are use are very elegant. This painting is of Neoclassicism, this painting is very formal and as we can see the elements of this painting are taking back in the 1800’s Napoleon was done up very
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ASSIGNMENT NO: 01 |
Title: Evolution of Old Masters Painting & Modern Art
Spring 2012History of World and ArchitectureSubject Code: GED 302Semester: 6thSection: 01Submitted To: Selima Quader ChowdhrySubmission Date: April 4, 2012 |
NAME: SHAIKH KHADIJA NO ID: 102011058
“Evolution of Old Masters Painting & Modern Art”
Subject | Page No |
I. Introduction | 03 |
II. Italian Renaissance | 04 |
III. Comparison between the paintings of the Italian Renaissance artists | 05 |
IV. Modern Art | 08 |
V. Comparison Between The Old Masters Painting And Modern Art | 09 |
VI. Conclusion | 11 |
VII. Reference | 12
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The title of the painting is Last Judgment by Giotto di Bondone better known as Giotto. This painting was created c.1305 at Arena Chapel also known as The Scrovegni Chapel, a church located in Padua, Veneto, Italy. The painting is an enormous 33 ft, 27 ft. ¾ inches. This is the largest fresco in the chapel. It covers the entire entrance wall and is the last image visitors see as they leave. It was created by using the sinopie method. The painting can be viewed on page 230 in A History of Western Art textbook.
This painting is from the Renaissance Era which explains many of the advanced techniques used like modeling and the use of light. The Last Judgment has a large image of Christ in
840 words - 4 pages
Ruth McGinlay Jackson Pollock ‘Lavender Mist’
From 1947 Pollock began a series of 'drip' paintings and 'Lavender Mist' can be associated with this group of paintings, many of which were simply titled as numbers. Jackson Pollock's groundbreaking work, 'Lavender Mist (Number 1)' was painted in 1950. The painting is housed at the National Gallery of Art in Washington DC, USA. Pollock created the painting using a variety of materials including enamel house paints which Pollock found easier to work with due to their fluid consistency, apposed to traditional, thicker oil based paints. At the time this experimental use of these paints was an innovative and fresh concept. The painting also
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music lessons, and even yoga! The crazy part is I have passed this place on LaGrange road and never even knew it was there. They had paintings in almost every room of this house from various up and coming artists.
The first artist that caught my eye was Liz Wall. She attended Marycrest College and received a B.A. in undergraduate work concentrating on painting, and attended the School of Art Institute in Chicago and received a certificate in Painting and drawing. Her paintings have a strong abstract feeling and the first one that caught my eye was Perseverance, which is a painting of the local Swallow Cliff.
This painting had to be one of my favorites since I go here frequently in
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Formal Analysis of Art
I find Vincent Van Gogh’s A starry Night very beautiful. I like the color and the way that it almost looks innocent. This painting shows how he goes with what he feels and is effortless. It shows that it is almost out of control (text, a world of art, pg61). The use of his lines is all over and not consistent. It is forth going you know that is a Van Gogh painting. In Sol LeWitt’s Wall Drawing the lines are very equal and exact. It is also a beautiful painting but to me is seems cold. They are very exact lines going all ways. He is very precise and controlled with his paintings (text, A World of Art pg. 64). He puts the same amount of
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For a firm to engage in price discrimination, at least one of the following conditions should be met. Either a firm should be operating in monopoly market or a firm should discourage discount customers from becoming resellers or a firm should have extensive customer data to segment its customers into different price elasticity of demand groups.
I believe that house painting firm would engage most in price discrimination because, the painting firm has the opportunity to observe its customers and access how much a customer is willing to pay to paint his/her house before quoting price for the painting job. With this information, a house painting firm is in better
1676 words - 7 pages
Japanese Village Life Portrayed Through Paintings
A daily ritual of walking into work was normal in traditional Japanese Village Life. Depicted in the surreal, natural state of awareness, "Enoshima in the Sagami Province" portrayed village life in Japan before an outside influence cultivated change. A Lovely view of Mt Fuji, softly painted scenery, and dream-like people bring together the essence of village life. Another example of a painting supporting the idea is “Kakitsubata (Iris)” which, explains and narrates, a much similar time in history. A third painting, “True View of the Post Office at Edobashi
536 words - 3 pages
Classical Art Essay
Art has a unique way to express the spirit of nature in humans and in their culture. It does represent a specific time in history and a story in life. Every piece of art whether it is a painting, sculpture, photography, and music it creates a significant concept of self- consciousness in its Art. However, in the perception of classical art it provides the values of beauty, positive, and the negatives aesthetics of art. The painting below is a picture of Johann Joachim Winkelmann, and the artist of the paintiing is Anton Raphael Mengs. This essay will provide information of the painting and the artist, it will explain the reason this piece of art is a form of
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World Culture I
December 08, 2011
The NC Art Museum
The North Carolina Museum is very awesome I was very amazed by what I begin to see while entering in the museum. This museum has a lot of painting all from 1947 on up until now. It is not one painting that you can walk pass and keep walking by. You will have to stop and take a look and read up on what this painting is and how it got to this museum. The paintings are from all type of painters from every culture. Egyptian, Europe, Italian, and contemporary art is all over this museum.
The Museum is actively building the collection with recent acquisitions, including a gift from the
1195 words - 5 pages
In the article “Conditions of Trade,” Michael Baxandall explains the interaction serving of both fifteenth- century Italian painting and text on how the interpretation of social history from the style of pictures in a historical period, pre-eminently examine the early Renaissance painting. Baxandall looks not only on the explanation of how the style of painting is reflected in a society, but also engages in the visual skills and habits that develop out of daily life. The author examines the central focus on markets, material visual practices, and the concept of the Renaissance period overlooking art as an institution. He observes a Renaissance painting, which relate the experience of
1489 words - 6 pages
College of Mount Saint Vincent
English 110: Writing in Context I
Close Analysis; “Girl before the Mirror”
For this essay I chose a painting by Pablo Picasso called “Girl before a Mirror”, according to the research I had done, this painting is in connection to his mistress Marie- Therese Walter. It displays several view, depending on who’s interpreting the painting. Pablo Picasso became one of the greatest and most influential artists of the 20th century and the creator (with someone named Georges Braque) of Cubism. A painter, sculptor, printmaker, ceramicist and stage designer, Picasso was considered radical within his work. The poem that is
759 words - 4 pages
The three artist, I have chosen is Peter Paul Rubens, Michelangelo Merisi Da and Rembrandt Van Rijn. All of these artist are artist from the Baroque era and all of the works of art I have chosen have some sort of religious meaning or content. Rembrandt Van Rijn painting of the return of the prodigal son is painted as an expressive work of art. Rembrandt painted his picture on an oil on canvas, he used different shades of lighting and coloring is in the setting of the painting shows the influence and effects of the Prodigal son returning home to his father. In this painting Rembrandt portrayed the prodigal son to be overwhelmed and out done by his rebelliousness. In the painting the father
928 words - 4 pages
paint to canvas and started to covey a real idea of the human body and how it moved, the expressions and feelings the body produced and the muscles definition. This would later help Gericault paint his famous “Wrath of Medusa”.
Gericault’s painting; “The Wrath of Medusa” was inspired by a sinking ship (the Medusa) that sunk in 1816 off the coast of West Africa, due to the incompetence of the captain. The ship was abandoned, officers and important passengers went off by lifeboats, while the rest of the one hundred and fifty people, who where on the ship, were set adrift on a hastily constructed raft. When a ship found the raft, it had been twelve days after the sinking, and 135 people had
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beginsto paint the picture. Basil begins painting the picture, but does not tell anyone about it,includingDorian, because he knows that there is too much of himself in it. LordHenry discoversthe painting and asks Basil why he will not display it. Lord Henrythinks that it is sobeautiful it should be displayed in a museum. Basil argues that thereason he will notdisplay the painting is because he is "afraid that [he] has shown in itthe secret of his soul" (Wilde 23). This is another paradox because hehas not only shown the secret ofhis soul, but the painting eventually comes to show the secret ofDorian's soul also. Inthe preface to The Picture of Dorian Gray, Wilde explains that "toreveal
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and avant-garde opinions and abandoned their idea of fame through their son (Duane 17). Casagemas had become miserable too, after a failed relationship, he fell into a deep depression. Angry parents and a depressed friend prompted Picasso to move onto Madrid after only one night in Barcelona. A true starving artist in Madrid, Picasso hardly Pablo Ruiz Picasso was born in October of 1881, in Malaga Spain, to Maria Picasso Lopez and Don Jose Ruiz Blasco, who worked as a museum curator, art teacher, and an average painter (Duane 10). Pablo was encouraged at a very early age to paint and draw, his first oil painting was at the age of nine, entitled Picador. By 1895, at the age of fourteen
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expressionists had gone through a surrealist phase. This had an effect on the Abstract expressionists unconsciously. One artist who made the transition from surrealism to Abstract Expressionism was Arshile Gorky (1904-48). In 1943 he painted Garden in Sochi. Garden in Sochi is third on a series of paintings portraying childhood memories. This painting is about Gorky’s memory of a garden at Sochi on the Black Sea. Another form of Abstract Expressionism is Action Painting. Action Painting is a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied. Action Painting frequently accentuates the physical act of painting itself
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Van Gogh has become, in the century following his death, a man on first name on the world. He created many famous painting in his brief life. Although he only sold one painting in his life, the effect of his work is enormous. I like his painting because of his extraordinary talent for color and his ability to create unforgettable composition in oil paint thickly worked in canvas.
Starry Night was created at a psychiatric clinic, so Van Gogh has many different thoughts than others. I like his starry night because it is in fact the product of a reflective and idea-driven man who was profoundly interested in an inspired by all manner of literary, musical and
995 words - 4 pages
The defending of the arts
The defending of the arts
Recently my family went to an art gallery that had some, many different forms of art that made it so interesting. To view, many of them had much meaning, with a lot of history and culture in the mix within it. Some of the local artists came around, mingle, with the crowd, and explain their art in a more in-depth ways.
An art gallery that I went to is in the location of ells square in the city market of Georgia that has a beautiful art gallery with amazing art forms. However, the art piece that stood out to me was from Irene Sainz Mayo the painting call on the lake to the composition elements
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“encounter” with the artist and his medium. These concepts were the basis of Rosenberg’s most famous and timeless notion, that which he called “Action Painting”, which would later be described as Abstract Impressionism. It was the avant-garde work of artists that abandoned the object oriented goals of painting and painted “just to paint”, and not to make anything else but a painting, in it's most basic essence. For Rosenberg, these works of art revolved around expression of the inner man, and were thus purely self creation. These ideas of the artists perspective being looked through to criticize art was much more than a stones throw away from the narrow and intolerant path of Greenberg’s