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Tom, Amanda and Laura are the main characters of the play.
Laura is an important character, as is Amanda, but they are not the protagonist. Tom Wingfield is the protagonist; the story belongs to him.
"The protagonist of a literary work is the main character, who must change in some way during the course of the events, even if the change is entirely internal. Tom is clearly the protagonist of The Glass Menagerie. Although he is not heroic and will probably never triumph over his obstacles, he does take action by the end of the play."
It is, in essence, his story and tells of what he wants out of life and how he reacts to life. Tom Wingfield is the protagonist; the story belongs to
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his adversaries. Even Othello's greatest enemy, Iago, confesses in act I, scene i, "Were I the Moor, I would not be Iago," or rather, he would not want to be Iago if he could be a man like Othello. The Moor commander is constantly respected by Venetian senators, soldiers, and ladies alike, even after murdering his wife and committing suicide. This level of respect helps Othello become a tragic character indeed, but not a typical Shakespearean tragic protagonist.Protagonists are not necessarily the heroic or inherently good characters in a play's plot. Rather, a protagonist is the principal character, propelling and leading the plot's progression. In Shakespeare's tragedies, the protagonist
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After reading Baldwin's Sonny's Blues, I couldn't stop thinking about how it had affected me even though I had not gone through a similar experience myself. I just kept wondering what Baldwin had meant his story to be about. Had he wanted to talk about drug use? About the effects of drug addiction on a family?. I would dare say that his main interest laid in showing the complexity of human relationships.Sonny's Blues is a story about suffering and pain and about how different people experience these emotions and manage to overcome them.Both the narrator and his brother Sonny are real human beings trying to endure the hardships of life and, as a consequence, trying to grow up.Sonny is a
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are in second. The third column has been left empty. If you print up this chart, you can put the elements of your adventure story in the blanks.
Hero's Journey Chart
The stages in this table are based on Joseph Campbell's Hero's Journey.
***Note: Not all steps will occur in all stories nor will they appear in any particular order. In any given journey, readers can find from seven to twenty elements, but most successful adventures average approximately fourteen recognizable steps.
The Hero's Journey
I: Departure (The protagonist is separated from the known and steps into the unknown.)
Home Culture The protagonist has a "home," a place that s
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Journal Essay #3
When the reader first opens Homer's epic poem The Iliad, the author's very first line states the poem's main premise: "Achilles' rage" (1); if that doesn't tell the reader anything, it's also the title of the first book. However, I've noticed that many people still find it difficult to determine who the heroic protagonist is in The Iliad. That's because the audience today doesn't believe that their view, of what constitutes a heroic protagonist, coincides with the typical heroic protagonist of the Ancient Greeks. Yes, contemporary readers will all probably agree that Achilles possesses a couple of the characteristics, that would make him a heroic protagonist (i.e. being
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live without these hits. He experiences anxiety from the possibility that at any time the man will leave and he will become crazy from not getting those hits on the head that he has been used to.
Introduction -protagonist describes the antagonist (unknown name, average in appearance, grey suit, has a common face)
-protagonist explains he was in Palermo Park reading the newspaper
Trigger -the man in the grey suit hits the protagonist on the head with an umbrella
Rising Action -protagonist is surprised, and in return punches the man in the face
-the man continues to hit in the head with the umbrella, the protagonist tries to get away from him and return home
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protagonist and the other black boys emotionally, psychologically, and physically, and yet the protagonist still feels that blacks should follow the cruel and unjust laws for the good of society.
In the beginning of the novel, the white men use a naked stripper to gain control of the protagonist and his group and hurt them psychologically and emotionally. As the African American literature critic Lee states, “ the stripper is a synthetic metaphor of white Mother America, Pocahontas, Martha Washington, the Scarlet Woman—white-fleshed, an object for rape and adoration, a pleasure-object--and yet for this “Nigger” a locus classicus of threat, a taboo, a castration” (Lee 23). This woman is a
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these elements, whether you have included them in your story. Create a plot outline for your novel in the way suggested below. You may find you can strengthen your novel plot considerably by incorporating any plot element you neglected before.
1. Story Goal
The first element to include in your plot outline is the Story Goal, which we covered in detail in the previous article, The Key to a Solid Plot: Choosing a Story Goal. To summarize, the plot of any story is a sequence of events that revolve around an attempt to solve a problem or attain a goal. The Story Goal is, generally speaking, what your protagonist wants to achieve or the problem he/she wants to resolve. It is also the goal
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("Friends, Romans, and countrymen … "), the setting shifts permanently from Rome to the battlefields on which Brutus and Cassius meet their inevitable defeat. Julius Caesar is also a tragedy; but despite its title, the tragic character of the play is Brutus, the noble Roman whose decision to take part in the conspiracy for the sake of freedom plunges him into a personal conflict and his country into civil war.
Literary scholars have debated for centuries about the question of who exactly is the protagonist of this play. The seemingly simple answer to this question would be Julius Caesar himself—after all, the play is named after him, and the events of the play all relate to him. However
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Example Daily Lesson Plan
Subject: English Date: ______________________
Grade: 8-__ Teacher: __________________
I. Unit: Reading - Short Story “Seventh Grade”
II. Sub-Topic: Elements of the short story
III. Key Concepts:
• Character = Person performing the action in a work of fiction.
• Protagonist = Character who is clearly central to the story and takes part of all the major events.
• Setting = The time and location in which a story takes place.
• Plot = How the author arranges events to develop his basic idea; it is a sequence of events in a story or play.
• Point of view = The angle from which the story is told.
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Ernest Hemingway uses symbolism to help the reader gain a better perspective of how the protagonist feels in his story. Symbolism occurs when the author uses one thing to represent another. This helps to give the reader a better idea of the situation or feeling in a given scene. There’s several types of symbolism utilized by authors. One type is conventional symbolism. Conventional symbolism is common to the area where the story takes place. While another type is personal which simply is closely tied to the individual. Still a third type of symbolism is universal, which holds a widely understood meaning. As we read "Hills Like White Elephants" we notice how Hemingway integrates both
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pride themselves on being. This adverse affect on their lives ultimately causes the deaths of each character.
At the beginning of Fight Club, the viewers meet an insomniac whose condition has become so serious that he has become disconnected from his own life. This disconnection is so severe that creates another self. The Tyler Durden (Brad Pitt) is almost a polar opposite of the protagonist narrator. Tyler lives in squalor and lives a completely unstructured and carefree life, taking no responsibility for anything. Essentially Tyler is everything the protagonist isn’t, but secretly wishes he could be. After the Ed Norton character first encounters Tyler, his life is thrown into turmoil. He
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of individuality advocates for increased women's rights while abstaining from attacking men. The story showcases the lack of communication between men and women brought on by the sexual politics of the time, and the ways in which this affected individuals as well as society as a whole.The protagonist in The Yellow Wallpaper is a woman named Jane, who recently gave birth which lead to her development of postpartum depression. "She is an imaginative, creative woman living in a society that views women who exhibit artistic and intellectual potential as anomalies, misfits, or, as in this story, ill" (Cyclopedia 1). As a direct result of the lack of medical research related to women and the
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swear, smoke and act like the grownups they see in video games.
The protagonist does not mention his name neither do any of his friends. He is eleven and the leader of the pack. He is the one to set the agenda. He tells the other two what to do and they act upon request:
(Page 41, line 26-32)
On one hand he does not care about the consequences, which is described on page 43, last paragraph, to page 45, but on the other hand he is showing emotions and worries about what might happen. He does not really care about what will happen to Simpson, he only thinks about himself and his punishments. This is depicted with the hanging of Simpson:
(Page 40, line 32)
I didn't want to go on with it
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* BMW’s recent products seem to be targeted towards younger, trendy and sporty young adults given its wide range of care models which are all sedans. Only recently did it make an SUV (X5)
* It seems like BMW always starts something new, but other car brands start to imitate them and produce copycats of their marketing campaigns, seen in GoldenEye. This may cause problems if they do proceed with making more films without changing anything.
The reason behind the BMW Films was to start something new. No other competitor at the time had any short films featuring their car as a protagonist. This non-traditional advertising approach separated it from its usual traditional
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how the protagonist ends up doing really outrageous things. Also the way that he writes his stories and what he makes the protagonist do in his stories, and poems. Edgar Allan Poe incorporates most of his experience, and what he went through than the literary elements, and structure that he uses. In “The Black Cat” it states, “I took from my waistcoat-pocket a pen-knife, opened it, grasped the poor beast by the throat, and deliberately cut one of its eyes from the socket! I blush, I burn, I shudder, while I pen the damnable atrocity.” This shows that all the hardships he went through played a big role in how he wrote his stories.
Edgar Allan Poe had many reasons why his stories and
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François Truffaut’s film The 400 Blows (or Les Quatre Cents Coups) falls under the category of art cinema; its style and form can be understood by way of an understanding of the conventions or anti-conventions of the art film model. Truffaut’s treatment of story, character, image, and space conform to the generally recognized set of characteristics that typify the genre. In the film the life of the protagonist, Antoine Doinel, accords with the filmmaker’s conscious attempt at creating a film that challenges commonly held notions of narrative, character, and style. As such, Les Quatre Cents Coups is a film in which the central character’s motives are ambiguous, narrative events are loosely
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Finding Yourself: A Research Paper about Ralph Ellison’s Invisible Man
Ralph Ellison’s Invisible Man gives a broad assortment of readers a novel to appreciate in varied spectrums of life to form a classic novel intertwining racial and self-discovery aspects. John T Gillespie and Corinne J. Naden note that “its complexity did not necessarily make it an easy read” (“Overview”). In many ways, Ellison displays a parallel between himself and the protagonist of Invisible Man. The shared knowledge of both men raised in a frontier town and overcoming racism during portions of their lives is significant enough to compare the two. Throughout the novel, Ellison manages to preserve the narrator as an
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in life. Music was Sonny’s source of healing. In this paper we will examine the reasons why music meant so much for the protagonist, as we evaluate his early beginnings with music, family influence and the feeling music produced on him. But, before we answer these questions is important to have an understanding how music is figure in the story and the importance of it, in order to illustrate the feeling music had on the protagonist.
The title is the first
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Dramatic Structure of Everything That Rises Must ConvergeDramatic structure is a very important aspect of short stories. Flannery O'Connor's "Everything That Rises Must Converge", follows Aristotle's dramatic structure. According to Aristotle a short story has to contain a protagonist, who will create a conflict which would lead to a crisis, and a tragic hero. After the crisis the short story will go into a process of recognition and reversal where the protagonist/tragic hero will discover and/or solve the problem. "Everything That Rises Must Converge", clearly follows this pattern.The protagonist of "Everything That Rises Must Converge" is Julian. He is the character who
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“If you don’t know what you want, the doorman said, you end up with a lot you don’t. May I never be complete. May I never be content. May I never be perfect. Deliver me, Tyler, from being perfect and complete.” The book Fight Club by Chuck Palahniuk can be related to the teachings of Buddhism in a way that the protagonist is looking for spiritual enlightenment (Nirvana or Zenith) in his life and this can be shown through his journey in the book. The orientation of the book shows the narrator’s suffering is due to the 'should' and 'shouldn't' values that society and his parents passed on to him. Comparable to Plato who was affected by Socrates (his teacher), the protagonist
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Stories”(Crane, 1952). The plot of “theft” begins on a frozen moment in which the protagonist, who is “uncomfortable in the ownership of things,” recalls the events that led up to her discovery of the theft of her purse, a beautiful purse made of gold cloth that is not only her property and the container of her money, but is also traditionally a metonym for money. She (or the implied author) looked through the lens of memory and found the truth within experience. The protagonist looks at her immediate past, and discovers meaning in life.
Money is a central motif in “theft”. All the other characters in the story are associated with the protagonist by money. Camilo, who is as poor as she
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ï»¿Comment on Robinson Crusoeâ€™s urge to geographical mobility. What is the broader significance of this feature, in your view?
Robinson Crusoe is a novel written by Daniel Defoe. The book was first published in 1719 and it is a diary of the main character called Robinson Crusoe. The protagonist tells the story of his 28-years stay on a remote and uninhabited tropical island after surviving a shipwreck in the waters of the Caribbean on September 30 in 1659. The novel is considered to be the initiator of realistic fiction as a literary genre. It is an adventure story about traveling, surviving, humanity, friendship and the power of the human spirit.
Robinson Crusoeâ€™s urge to
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The Boy Who Will Never Be a Man
I believe The Man Who Was Almost A Man is an example of imprudent youth. The story is of a boy who wants a gun for all the wrong reasons. His thoughts are of manhood. He associate a gun with manhood, yet fails miserably to understand the concept of manhood or the responsibility that’s closely connected with it.
On the surface, the message of the story is that of a stupid, deceitful, unkind, violent, black boy with dreams of becoming a man with all its grandeur. As is seen in the text when the protagonist witness men in the field shooting their guns. The protagonist, known as Dave, decides promptly that he will purchase a gun and impress the men with
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“off her hands.” When this day came, however, she then resented every moment when they were home, especially during the holidays. This eventually led her to spiral out of control, constantly in search of perfect solitude. Even while taking a walking holiday in Wales, she felt as though “the telephone wire [was] holding to her duty like a leash.” (p. 880). .” Abandoning her family altogether, she discovers a dingy hotel. In Room Nineteen she would sit in the armchair for hours, selfishly enjoying her solitude. “To Room Nineteen” ends as Susan commits the selfish act of suicide, deserting her family once and for all.
The protagonist in “Cathedral” displayed clear ignorance throughout a large
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Essay for Setting
A setting is where and when the story takes place. Most of the setting involves the time and place of the action, and like “The Three Strangers”, by Thomas Hardy, who presents this short story with good development and distinctive setting. In this work of his, he creates a captivating atmosphere, emphasizes the force that the protagonist struggles with, and he makes it believable.
Hardy creates an environment of rough landscape with phrases like “Three miles of irregular upland…” (760), thus creating a feeling of insecurity. Hardy also represents it in “…some starved fragment of ancient hedge is usually taken
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A Stranger is Watching is a terrific book. I enjoyed reading this book very much. The non-stop action kept me reading for hours.One of the best features of the book is how it was written.The point of view changes every chapter.For example Chapter 1 is written in the point of view of the infamous Foxy character.Chapter 2 is written in the point if view of our protagonist, Steve; and so on.I also liked how the author built the relationship of the characters up,so you care about what happens to them and feel like you're going through what they are going through.For instance,the author tells us of Steve's wife's death.We find out that Steve's son, Neil was never the same after this tragedy.When
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majority of scenes do begin with close up shots, then move into subsequent wider shots until the desired closure is achieved. We see this technique used in the opening scene of the “kids” on the merry-go-round, and then in the first dramatic scene where we meet our protagonist, we begin with a medium/close up of him and then pan out to his room to give us a sense of surroundings. We then come back to an eye-level, subjective camera shot, where we find ourselves there, really face to face with the character. This is sort of our formal introduction to our protagonist and the director uses this shot consistently throughout the film when he wants us to stop and re-connect emotionally to what’s
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In the novel “Looking for Alibrandi”, Melina Marchetta explores the transformation and development during the age of adolescence. Her protagonist, Josephine Alibrandi, experiences these changes. The idea of changing perspectives is clearly presented in the novel while the protagonist develops strong relationships and appreciates the influences in her life. It is evident that the teenage years are all about “change” because in the end, the protagonist shifts from a fragile position to a stronger position.
Changing perspectives, by far, is the most important theme in the novel. Throughout the novel, Josephine slowly changes the way she sees/perceives others, the society she is living in and
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Clementine and Joel are the main focus. In both films the flashbacks constructs a non-linear narrative structure.In Rashomon the border between protagonist and antagonist is not very clear, due to the fact that the four witnesses have their own point of view. In all the stories the common people are the samurai his wife and the Tajomaru. We might suggest that the Tajomaru is the antagonist and the protagonist is the samurai and his wife. In Eternal Sunshine of the Spotless Mind the protagonist is Joel, since the story is largely told from his point of view and he is the main character, but the antagonist role is not very clear.In both movies the real climax appears towards the end of the film, in
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The Yellow Wall` and `A Rose for Emily`
As medical authority has become more extensive , it has necessarily become more diffuse as well so that moral and medical categories are now thoroughly and probably inextricably confused ' -Edgar Z Friedenberg-
The two short stories , The Yellow Wall and A Rose for Emily unravel insanity on two different views . The first gives an in-depth and encompassing autobiographical depiction of a woman 's emotional breakdown , while the latter offers a distant , detached look at a female victim of madness ' Of the two , Gilman 's story provides a better examination of the because
her narrator is also the protagonist thereby , giving the readers a
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confronted. Making the protagonist in the story so perfect made the reader have great respect for him, and made the reader cheer for the protagonist.
Cooper wrote to entertain, not to try to see how many laws of physics he could follow, or to perfect his usage of words. Cooper wrote about miraculous things such as the Pathfinder shooting a nail that is stuck in a tree from a hundred yards away or Chingachgook turning a running stream out of its course to find the tracks of his enemies. Of coarse Cooper knew that these ideas were a little far fetched, but he new with out these ideas the story would not be as good Coopers creativity just adds to his stories, if a person isn’t amazed by
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The man who loved flowers
“One person's craziness is another person's reality.” – Tim Burton. We people have a tendency to live our life in suffer for the past because it’s terrifying to face the truth. Unaware that it affects our fellow human beings. Stephen King’s short story “The man who loved flowers” manages to blur the lines between normality and insanity while digging down in the fear of love.
The story takes place on a sunny day in New York’ streets in the 1960’s. The protagonist is an unknown narrator who is an elegant young man with a grey suit on. In the beginning of the text is the atmosphere vibrant, idyllic and calm. Furthermore the protagonist approaches an old man
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balance of how much is compromised the outcome can be worth the sacrifice and the marriage can thrive.
Marriage is a compromise because both sides come to an agreement that they will be together to the day they die. Faye, the female protagonist of “A Secret Sorrow”, and the unnamed protagonist from “A Sorrowful Woman” both had to compromise something for marriage, yet Faye’s is the less severe of the two. The accident that she had been in made her incapable of having a child and Kai, her love, claimed to be willing to work through it and still desired to marry her. But she believed he was “playing the gentleman”(34). She thought that he was giving up his dreams for the sake of chivalry
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English 10 Answer Key
All the Troubles of the World
1. Identify and describe:
a. Protagonist – Multivac is powerful supercomputer that knows everything about everyone in the world. Multivac can predict most crimes, and it is through Multivac that the police forces have eradicated most crime and solved other economic and social problems. The people of the world have come to regard Multivac as a god-like figure. They trust Multivac with all of their most personal information and in return expect protection and answers to every question. Multivac is a troubled protagonist because it has been told so much information about human
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. Henry is not welcomed into the garden for fear that her confidence, joy and beauty may be crushed. Henry opposes Elisa and the hard work the protagonist has put into her chrysanthemums. Henry tells her that “[he wishes she would] work out in the orchard and raise some apples [as big as her chrysanthemums]” (Steinbeck 270). In doing so, Elisa’s efforts go unnoticed and it gives her a feeling of insignificance. Afterwards, Henry offers to take her to a fight to celebrate the sale of the steer. This is ironic because Henry should be celebrating Elisa’s long chrysanthemums and not the sale of a few farm animals.
When the bearded man shows interest in Elisa’s chrysanthemums, Elisa feels
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of a Salesman, can be successfully compared to the Aristotelian description of traditional tragedy.
According to Aristotle, the protagonist, or tragic hero, of a tragedy is a person of great virtue and of high estate, usually a member of a royal family. The tragedy then carries the protagonist from his position of esteem and happiness to one of misery. Although Miller's protagonist, Willy Loman, is not of high estate, he is the head of his household. His wife, Linda, aware though she is of his failings, sees him as "the dearest man in the world" (1.1373). Furthermore, he is a man whose intentions to be the best salesman possible are honorable, although misguided. It must not be
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The scene in the film Rear Window was about the community and the protagonist named L.B. Jefferies. The scene started with the window. Next appeared a cat walking in the alley, from that moment, the audience can see the whole set of the neighborhood early in the morning and L.B. Jefferies sleeping when he was sweaty. Next, the viewer can see the thermometer, the composer shaving his beard, the couple sleeping outside their balcony, the dancing woman in a pink undergarment, the dog’s leash tied to the lamppost, and the woman with a pet bird. Then back to the L.B. Jefferies. At that moment, the viewer can see him taking a nap in his pajamas, in a wheelchair, his leg in a cast with his
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Me Talk Pretty One Day
Written by Asim Aydin Uysal
It can be very difficult to learn a language like French, especially when you have only taken a month long class, before heading to the country of the language you have been studying for past month and going back to the school bench. This is the case in the essay ‘’Me Talk Pretty One Day’’ by David Sedaris, published in 2005. We do not know the name of the protagonist, all we know about him is that he is at the age of forty-one, and has now moved from New York to Paris with hopes of learning the language.
Our protagonist is forty-one years old and has moved from New York to Paris to learn the French language. He loves leafing
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Scissorands I have noticed a few things which Tim Burton does. In the movie he emphasises greatly on the protagonist, he does this by making Edward so different from all the other characters. Edwards dark clothing, pale skin and crazy hair make him easily stand out from all the other plain characters who look like each other.
Also from this movie i have noticed how Tim has made Edward reflect on how he felt when he was a child. He has given Edward scissors as hands to make him not have the ability to get close to people and makes people scared of him, this is how Tim felt as a child. He also shows how society is trying to get Edward to be the same as everybody else and to not have his unique individuality, this is what society tried to do to Tim Burton.
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How did Charles Dickens create sympathy for the protagonist in the opening four chapters of Oliver Twist?
Sympathy is often defined as a feeling or an expression of pity or sorrow for the distress of another. It is noted that Charles Dickens quite frequently applied various techniques to evoke from potential readers, the feeling of sympathy for the protagonist Oliver, in the book ‘_Oliver Twist_’.
The novel pursues the life of a fictional character called, the obvious ‘Oliver Twist’. From the very beginning, attracting the sympathy of the reader is accomplished as Dickens commences with Oliver’s destitute mother arriving, heavily pregnant at a parish workhouse. Not long after arriving
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: natural , traditional and what she calls “American” , or what we have just referred to as “modern”(Hogan,182). More exactly , Surfacing is structured as a sort of inverse history.
Rather than moving from natural state through tradition to modernity , the novel begins with a return from the modern city to the more traditional countryside and ends with a failed attempt to achieve a natural condition.
At the end of the novel , striving to return to nature , the protagonist discovers that nature provides no identity. Identity is necessarily bound up with history and memory , it is a form of synthesis. But to return to nature, in contrast , “Everything from history must be eliminated
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Never Marry Me
Sandra Cisneros’ short story “Never Marry a Mexican” details the life of a young, Chicana woman who struggles with an intense yearning and contempt for love and the union of marriage. It opens speaking about her childhood and recounts individual, life-altering events that have led her to foster her adult beliefs as well as her disillusionment with marriage. She has internalized events that occurred in her parent’s marriage and used these to alter her faith in the structure of the traditional, heterosexual marriage contract to the point that she no longer believes it has held up to the norms of society. The protagonist in “Never Marry
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terms that refer to genre fiction like science fiction, fantasy, romance, mystery, and some thrillers.
Is the short story "The Most Dangerous Game" literary or commercial fiction?
What happens to the hunter when he becomes the hunted? Can he tap into his inner animal, potentially surviving the hunt? Or will he meet a similar fate that so many creatures have met at the hands of that very same hunter? This situation is presented in the story “The Most Dangerous Game” by Richard Connell. In “The Most Dangerous Game”, the protagonist and famous hunter Sanger Rainsford is hunted down on an island owned by the antagonist General Zaroff and his henchman Ivan. This action packed story is also an
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many places; such
as the Bastille, Tellson's Bank, the home of the Manettes, and
largely, the streets of Paris. These places help to introduce many
characters into the plot.
One of the main characters, Madame Therese Defarge, is a major
antagonist who seeks revenge, being a key revolutionist. She is very
stubborn and unforgiving in her cunning scheme of revenge on the
Evermonde family. Throughout the story, she knits shrouds for the
intended victims of the revolution. Charles Darnay, one of whom Mrs.
Defarge is seeking revenge, is constantly being put on the stand and
wants no part of his own lineage. He is a languid protagonist and has
a tendency to get
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narrator as well, talks about her personal travel in to the world where an illness has brought her. All her thought and feelings are written in a journal and as she goes down in to the world that she has created in the confines of the room where she was kept. The story line presents that the narrator's mental condition is getting worse, leading to psychosis. Gilman explains the complexities of woman nature as she uses symbolisms to define the psychological realms of the plot.
“The Yellow Wallpaper”
The unnamed woman in this story (believed to be the author herself) fantasies about the yellow wallpaper are driving her mad. The protagonist experienced hallucinations and persistent thoughts
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reality isn't real, that there is no book named West of January, and that it's never really been read.The story takes place on the distance, and incredibly boring, world of Vernier, where it takes the sun two hundred years to rotate once around the planet. This forces Vernier's inhabitants to continually move East or they will be scorched by the sun's immense heat. Beam in Knobil, West of January's protagonist. From birth, the blue-eyed, blonde Knobil knows he's different from his browned-eyed brunette race. This introduction sets up for a potentially fantastic novel, but instead his uniqueness sends Knobil on a quest, which descends into a grotesque story of anguish and sadism. Even the
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In the drama script ‘Hamlet’, written by William Shakespeare, conflict, both internal and external, was important to the text in a variety of ways. Internal conflict enabled the character development of Hamlet to take place, showing his nature rich in procrastination as he developed from a cowardly griever to a confident man no longer fearful of the unknown. This character development illustrates the main themes of revenge, good vs. evil, and more. Conflict in this text provides the main protagonist (Hamlet) with various catalysts that move the plot along and allow peace to be restored, completing the cycle of the narrative structure. The conflict that the troubled young man experiences can
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conflicts that occurred through any stage of her development. Sigmund Freud describes he Psychoanalytic theory as the influence of the unconscious mind on behavior. (Thornton 1) The Narrators conditions will have a lifelong influence on her personality and behavior throughout the rest of her life. Lastly She shows signs of psychoanalytical theory through her conscious and unconscious mind.
The protagonist first shows an action of mental insanity as described by Anna Freud through regression. Through regression the narrator sees the eye as a horrific past memory that she once had. (Cherry 4) The eye of the old man must remind her of a tragic event that still haunts her. She tries to
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The Pedestrian vs. The Veldt
The Pedestrian | | The Veldt |
Author | | | Author | |
Title’s importance/Symbolism | | | Title’s importance/symbolism | |
CharactersCharacterization: What do the characters look like? Qualities, virtues / flaws? How do they speak? Attitudes, habits, behaviour, characteristics?Are the characters stereotyped or individualized?`Round´ (complex, many-sided) vs. `flat´ (one-sided, stereotyped) characters (= does the character change or develop? How?) What are the relationships / interactions between the characters? | Protagonist | Antagonist | | CharactersCharacterization: What do the characters look like? Qualities, virtues / flaws? How do they