Questions And Answers To T.S Eliot's Lovesong Of J Alfred Prufrock

2053 words - 9 pages

Thomas Stearns EliotModernist Anglo - American poet, dramatist, literary critic(1888 - 1965)He was born in St. Louis in 1888 to a family with prominent New England roots.He studied at Harvard, in 1906, was accepted into the literary circles, where he favoured 16th- and 17th-century poetry, the Italian Renaissance (particularly Dante), Eastern religion, and philosophy. The greatest influence on him was the 19th-century French Symbolists such as Charles Baudelaire, Arthur Rimbaud, Stephene Mallarme, and Eliot's favourite, Jules Laforgue.From 1911 he studied at the Sorbonne, and in Oxford, in 1914 he established residence in London and in 1927 became a British citizen.After working as a teacher ...view middle of the document...

Modernism:New artistic and literary styles that emerged in the decades before 1914 as artists rebelled against the late 19th century norms and literary form.Against the romantic idea: Poetry should focus on individual subjective experience, and the standard subject of art should be the supremacy of "Nature".Increasing isolation and the creation of individuals detached from social norms and their fellow menImagism (mainly defined By Ezra Pound) was significant because it was the first organised Modernist English-language literary movement or group. (Precision of imagery in clear, sharp language)The unity of literature has split for good and all (avantgarede movements)As a forerunner the Modernism the French Symbolism has to be mentioned. Eliot takes his sensuous language and eye for anti-aesthetic detail that contributes to the overall beauty of the poem (the yellow smoke and the hair-covered arms of the women are two good examples of this). The Symbolists privileged the same kind of individual Eliot creates with Alfred: the moody, urban, isolated-yet-sensitive thinkerHe wrote philosophical reviews and a number of critical essays. Many of these, such as Tradition and the Individual Talent, have become classics. .Eliot defined his preference for poetry that ignores the poet's own personality, and poetry that uses the "objective correlative" of symbolic, meaningful, and often chaotic concrete imagery. Eliot suggests that making something beautiful out of the refuse of modern life, as a crab sustains and nourishes itself on garbage, may be the highest form of art. This notion subverts romantic ideals about art; it suggests that fragments may become reintegrated, that art may be in some way therapeutic for a broken modern world.Eliot joined the Church of England in 1927, and his work afterward reflects his Anglican attitudes. This brought him a much more positive attitude towards life that can be seen in his writings after this date. E.g. the six-part poem Ash Wednesday" (1930) and other religious works in the early part of the 1930s, epic Four Quartets (completed and published together in 1943)He experimented with a new genre in 1935, a verse drama about the murder of Archbishop Thomas Becket: Murder in the Cathedral. The play's religious themes were forerunners of Eliot's four other major plays, The Family Reunion (1939), The Cocktail Party (1949), The Confidential Clerk (1953), and The Elder Statesman (1959).He won the Nobel Prize for literature in 1948, and while much of his work was serious, he wrote some light heated poems about cats The Old Possum's Book of Practical Cats (1939), a book of verse for children, was eventually adapted into the Broadway musical Cats.The Love Song of J. Alfred Prufrock- How would you describe the character of Prufrock: A spiritually exhausted introspective kind of person who exists in the impersonal modern city. A prototypical modern man--overeducated, neurotic, and emotionally stilted/ mannered. Prufrock is a...

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