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Kung Fu Movies Essay

2432 words - 10 pages

Kung Fu movies
Date of submission:
Introduction {introduce kung Fu movies] 0.5
Kung Fu movies are part of a subgenre of martial arts films. They are set in the modern period of futuristic martial arts. Kung Fu has its origins in China, which before being modernized, was popularly known as Wuxia (Greene, 2014). This film genre is an important creation of Hong Kong Cinema. The main difference between Kung Fu and Woxia is that the former has less sword play, instead, used more armed combat. It however found its way to the West, where it was embraced in Hollywood as one of them most loved action film genres. The genre was first played on screen in the ...view middle of the document...

Some producers however insist on using female stars to attract the female audience. Additionally, the Hong Kong Kung Fu movies use romance and musicals to make the productions more interesting. The Hong Kong Kung Fu movies have also built their identity with heavy likeness to Hollywood action movies.
In china, motion pictures were introduced towards the end of the 19th century. However, it was not until the 1930s that the country’s important films were first produced (Kato, 2012). Most of the mainland china kung Fu movie are mandarin based. Most of the Kung Fu movies from mainland china were based on storylines about families and their struggles. Additionally, the Chinese kung Fu movies draw attention from the audience through emotional appeal, such as the 1948 film spring in a Small Town, which about family struggles (Fu & Desser, 2000). The Chinese kung Fu movies also used traditional methods of storytelling such as socialist-relist perspective. However, this was replaced with freer unorthodox approaches to film making, such as using of criminals and heroes with admirable strengths and characters. Into the modern ages, the Kung Fu movie producers of mainland china later resorted to extremely low budget production, however, using digital equipment to add value. The modern Kung Fu movies from mainland china use more international-based Chinese language cinema, which is made possible by fusion of people, resources and expertise from various regions to produce successful films.
It can be argued that Kung Fu is a guest style in the Japanese action film industry. Japan’s action films decipher the ideological aspect of samurai warriors and fighting style (Shuk-tong, 2009). Japanese action films’ fighting style draw heavily upon use of weapons, especially the dreaded samurai sword fights. Little un-armed combat is used in the Japanese films, however, there are some specialized free hand fighting styles that are used. The Japanese Kung Fu action films are also more violent and graphic, which is the reason most of them come with viewer discretions. The Japanese movies’ speedy and economized annihilation of a number of assailants attacking the main stars is the core of the country’s Kung Fu films, which creates appeal and intrigue amongst the audiences. Additionally, Japanese Kung Fu films use modern technology to renovate the image of Samurai, giving the country’s producers and directors a unique touch in film-making.
Just like Japan, Kung Fu is a guest style in India action film genre. The Indian films are characterized by strong storytelling, heavily punctuated by song and dance (Shuk-tong, 2009). In the modern Kung Fu Like productions, the directors are becoming more comfortable in mixing visual martial arts and creating an amalgam of cinematic expression. The films also produced with the aim of maintaining the huge fan base and increasing the cinematic appeal of Bollywood productions, both in terms of visual entertainment and commercial...

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