This website uses cookies to ensure you have the best experience. Learn more

Hip Hop: Beyond Beats & Rhymes

564 words - 3 pages

Hip Hop: Beyond Beats & Rhymes is a documentary created and produced by Bryon Hurt. The documentary challenges the dominant discourses of hyper masculinity and the misogynist treatment of women in commercialized rap. Of the many mainstream phenomenons that are discussed by Bryon in the documentary, the issue of hyper masculinity in Hip Hop is questioned greatly. Throughout the film, the producer was able to show the wide acceptance of hyper masculinity not only in Hip Hop but also American culture as well. He defined America as a hyper masculine and hyper violent nation for the reason that using a gun to defend one’s family became a metaphor for masculinity and a tool for widespread violence. The issue of issue of hyper masculinity can be integrated with racism and is rooted back to the living ...view middle of the document...

The misogynistic treatment of women in commercialized rap has become a widespread phenomenon which as a result has become commonly accepted by majority of the individuals in society. Rappers, in general, nowadays use women in their videos in a way which is both derogatory and exploiting. Black men in today’s society, especially in the entertainment industry, do not see women as their equals; rather they objectify them as being nothing more than sex objects. People in the Hip Hop industry do not believe that sexism and misogyny is as big of a deal as racism, thus they push this issue to the side by simply ignoring it and learning to accept it. This misogynistic portrayal of women is ruining the image if Hip Hop as both an industry and a form of expressive art. However, instead of taking action against this atrocity, many women simply believe that the images of women and their portrayal in rap videos does not represent nor refer to them as an individual and the type of woman they truly are. By being silent these women are allowing themselves to be victimized by the men of not only the Hip Hop industry but also general society. By not having a say in this matter of the false classification and portrayal of women, they are voluntarily allowing men to do whatever they please to do so, in any given time and with any approach they feel is necessary. They do not believe that this false representation of women in the rap videos give the ordinary male the false and acceptable view as well as the stereotype of women as a whole which results in many forms of female sexual abuse and assault which is unfortunately incredibly widespread in the United States of America.
Therefore, the misogynist treatment of women as well as the hyper masculinity in commercialized rap are the dominant discourses that are challenged and critiqued by Bryon Hurt in his documentary Hip Hop: Beyond Beats & Rhymes.

Other Papers Like Hip Hop: Beyond Beats & Rhymes

Russell Simmons Essay

701 words - 3 pages , 2008). Hip Hop began to make changes in the sounds of beats and producers were able to manipulate beats to allow for different sounds. Musicians found something that they loved to do and had no problem entering this business and becoming the entrepreneur they had dreamed of being. The content of Hip Hop also evolved. Artists began to tell stories with their music. They even became mainstream pop performers. Kurtis Blow appeared in a Sprite

Hip Hop Essay

469 words - 2 pages hop culture, to which he coined the terms: MCing or "Emceein", DJing or "Deejayin", B-boying and graffiti writing or "Aerosol Writin".[6][7][8][9][10] Since its evolution throughout the South Bronx, hip hop culture has spread to both urban and suburban communities throughout the world.[11] Hip hop music first emerged with Kool Herc and contemporary disc jockeys and imitators creating rhythmic beats by looping breaks (small portions of songs

History of Hip Hop

1055 words - 5 pages .  Kool DJ Herc, who actually came up with the term “hip hop,” began to realize that this was the beginning of a new genre. As this craze of hip-hop evolved what’s known as the party shouts became more elaborate, d jays began to incorporate little rhymes such as “throw your hands in the air and raise ‘em like you just don’t care.”  With regards to Kool DJ Herc, as he progressed eventually turned his attention to the complexities of d-jaying and let two

The Origins of Hip-Hop

2764 words - 12 pages taking their names beyond their neighborhoods, b-boying became “a mission to terrorize the dance floor and to make a reputation, ghetto celebrity status” (Chang 115). Besides DJ Kool Herc, another important figure in the development of hip-hop was Afrika Bambaataa. “Afrika Bambaataa came to be known as the godfather of hip-hop. His name meant affectionate leader in Zulu. He had also been a warlord in The Black Spades gang at a point, but he had

Wahaha Ah

857 words - 4 pages tupac Hip-hop music is generally considered to have been pioneered in New York's South Bronx in 1973 by Jamaican-born Kool DJ Herc. At a Halloween dance party thrown by his younger sister, Herc used an innovative turntable technique to stretch a song's drum break by playing the break portion of two identical records consecutively. The popularity of the extended break lent its name to "breakdancing"--a style specific to hip-hop culture, which

Types of Dances

710 words - 3 pages and timely beats.   Hip-HopHip-hop is a dance style, usually danced to hip-hop music, that evolved from the hip-hop culture. Hip-hop includes various moves such as breaking, popping, locking and krumping, and even house dance. Improvisation and personal interpretation are essential to hip-hop dancing.   SwingSwing dance is a lively dance style in which couples swing, spin and jump together. Swing dancing is a general term that means

History Of Rap

1360 words - 6 pages History of Rap Rap Music, a genre of R&B that includes rhythmic poetry put over a musical background. The background consists of beats combined with digitally isolated sound bites from other recordings. The first recording of rap was made in 1979 and the genre began to take notice in the U.S. in the mid-1980s. Though the name rap is often used back and forth with hip hop. The name hip-hop comes from one of the earliest phrases used in

The History Of Rave Music

1057 words - 5 pages the U.S. were playing around with their music and somehow came up with the idea of mixing house music and hip-hop together. In 1985, Hip-house was born. This is when house music blew up in the United States. In 1986, Underground was born. Djs started getting creative with their music and in 1987 Deep House and Techno were born. In 1988, came Acid House. This was invented by 2 Djs who were hooking up their equipment and someone accidentally hit

Brand Analysis Project- Mountain Dew

1821 words - 8 pages hip-hop star Lil Wayne and street skateboarder Paul Rodriguez. Country singer Jason Aldean’s spot was in heavy rotation in Nashville, for example, while Lil Wayne flashes on screens in Los Angeles and rapper Mac Miller promotion would be popular in his home state of Pennsylvania and the region around it. Mexican-American pro skateboarder Paul Rodriguez appeals to a street-skate set that is racially diverse. Mountain Dew intent was to sign artists

Musical Stereotypes

4553 words - 19 pages times true but I feel that if you can get past that, there is more to rap/R&B than misogyny. The creative, clever and witty lines that stream from hip hop/rap songs are what draw me towards it. For some songs once you get past the insensitivity or corruptness that may be involved (and many songs are not polluted with these), you can hear a message that may not be so bad. Under the “rough” stuff of rap hides originality and imagination that make

Great Depression

1021 words - 5 pages before. Chuck D redefined the Black condition post-civil rights struggle. Chuck D made rap relevant to the establishment and still proved there is power in the spoken word. Public Enemy, also known as P.E., did not start conscious rap, however they took it to the height no one thought possible. With the release of their second album “It Takes A Nation Of Millions To Hold Us Back” the hip hop community was put on notice. No longer bragging on

Related Essays

Hip Hop Culture Has Recreated New Cool Things For Young Consumer

2359 words - 10 pages INTRODUCTION Culture of Hip-hop was born in 1970 and it keeps developing until today. Hip-hop basically has four kinds of forms which are DJing, Rapping, Graffiti, Break-dancing, and Beatboxing. However why music, in this case is Rapping, can build great influence to the listeners. Music is form of cultural expression that does not necessary experience race and other identity relationships. This aspect appeals to youth experiences because

Rap Music And The Symphony Essay

825 words - 4 pages also both viewed very differently in society. Producers and composers of these two styles of music present themselves differently also. Practically all Rap/Hip-Hop artists write their own lyrics. Because of this most rap songs are unapologetic, direct, and often very personal. Most rap music’s instruments are electronic, and computer generated. It is also composed of programmed rhythm and syncopated chant; such as beats and rhymes drum and voice

Hip Hop Essay

676 words - 3 pages sense of awareness, cultural connection, and empowerment or creates a negative image for admiration and enforces negative stereotypes. Altogether hip hop is a powerful force, not to be taken lightly. In the words of Busta Rhymes, “Hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It's a platform where we could offer information, but it's also an escape.” Much of hip hop’s

Thesis Paper On Rap Music

4602 words - 19 pages in hip hop culture that has become a dominant style throughout the world today.Just as ragtime, jazz, R&B, and other black music forms entered mainstream culture earlier in the century, today it is hip hop culture and its distinctive sound of rap music that is becoming an important form of music and cultural style across the globe. Hip hop erupted from New York dance and party culture of the 1970s. Writing lyrics, producing beats, break