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Hello Essay

998 words - 4 pages

Contemporary Music
-Contemporary classical music can be understood as belonging to the period that started in the mid-1970s with the retreat of modernism.[1] However, the term may also be employed in a broader sense to refer to all post-1945 modern musical forms.
-Contemporary music is the music that was developed in the early 20th century around the world with little influence from the European style and elements. Several musicians both classical, neo classical, developed different styles of the music experimenting with a bit of creativity in the process. The music was recorded on tapes and was available from all over, yet varied.
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Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a neoclassic style, which sought to recapture the balanced forms and clearly perceptible thematic processes of earlier styles;[5] see also New Objectivity and Social Realism). After World War II, modernist composers sought to achieve greater levels of control in their composition process (e.g., through the use of the twelve tone technique and later total serialism). At the same time, conversely, composers also experimented with means of abdicating control, exploring indeterminacy or aleatoric processes in smaller or larger degrees.[6] Technological advances led to the birth of electronic music.[7] Experimentation with tape loops and repetitive textures contributed to the advent of minimalism.[8] Still other composers started exploring the theatrical potential of the musical performance (performance art, mixed media, fluxus).

Impressionism is a 19th-century art movement that originated with a group of Paris-based artists. Their independent exhibitions brought them to prominence during the 1870s and 1880s, in spite of harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, Impression, soleil levant (Impression, Sunrise), which provoked the critic Louis Leroy to coin the term in asatirical review published in the Parisian newspaper Le Charivari.
Impressionist painting characteristics include relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, inclusion of movement as a crucial element of human perception and experience, and unusual visual angles. The development of Impressionism in the visual arts was soon followed by analogous styles in other media that became known as impressionist music and impressionist literature.

Frédéric Bazille (1841–1870),Paysage au bord du Lez, 1870,Minneapolis Institute of Art

Armand Guillaumin (1841–1927),Sunset at Ivry (Soleil couchant à Ivry) 1873, Musee d'Orsay

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