Art Museum Critique- Denver
A few weekends ago I decided that out of all of the museums and galleries I could choose to visit I really wanted to go to the Denver Art Museum. I wanted to go there because of a few different reasons. One of the reasons is that my husband and I live very close to the neighborhood so we could walk and enjoy the weather and gorgeous scenery that Denver has to offer. Another reason being that my best girlfriend, Lindsey, lives nearby and she could tag along with us for the day. Finally, the last time I had been to the DAM was back in middle school when I really didn’t appreciate what great artwork was offered there and some teenagers don’t really value the ...view middle of the document...
It signifies the history of migration during a time that El Anatsui lived through at some point in his life where he lived in Ghana.
In my opinion, this piece stands out obviously because of the visual weight that is displayed. It seems like a light, woven quilt from 50 feet away, but up close it is implied to be a heavy, metal-like piece creating a much heavier look. The balance of the piece would be asymmetrical because of a few reasons. If you were to cut the sculpture down the middle both sides seem to look similar but have minor differences. One side has more golden colors woven throughout the piece, and the other side is more of a mix of colors that blend together to make some image that resembles an Oasis. You can see it in the sculpture but can’t make out what it is supposed to be.
The focal point, in my opinion, would be the variation of all the colors and wording that make the piece sparkle under the bright light. It was hard for me to really pick one section to concentrate on. I feel like out of all of the colors in the sculpture, the variations of red stuck out the most. Oasis is unified by the many ripples to help show the viewer the details of the piece and how it does resemble a large quilt. If El Anatsui would have made the piece flat, I may have not realized what he was trying to make. The content of the work is that the labels and colors represent the Ghanaian practice of naming textiles, which reveals a lot about the culture and history of the place that the artist is from.
While walking through the museum and in one of the last exhibits we came across, I saw a piece by Luis Tapia titled Heavenly Toaster. To describe this piece of artwork the stand, which is carved out of wood, has many lines that are different shades of blue, black and red. At the top of the stand is a silver toaster that is suspended in the clouds with a piece of toast popped out of it and carved within the toast is an image of Mary, which is very detailed and precise. Surrounding the toast is a bright colored rainbow with beautiful, bold colors of red, yellow and orange. The medium of this piece is a beautiful sculpture with many vibrant colors and great detail in the carvings of the wood. This piece is representational because the artist is poking fun at the phenomenon of people that see religious images on things such as highway embankments, potato chips, tortillas, buildings or in this case a piece of fresh toast with Mary imprinted on it.
The focal point of Heavenly Toaster would be the piece of toasted bread that has an image of Mary carved into it. I say this because it’s the center of this piece and surrounding the toast is a rainbow with bright, bold colors shining down on the piece. It is unified by the sun, which is highlighting the toasted bread in order to make it stand out from everything else.
It is clearly visible that the sculpture is a three-dimensional space because it invites the viewer to look up close to the piece to...